Once, during a summer when I was immersed in intensive organic
chemistry, I found myself alone and lonely.
In an effort to connect back with life, I played my then favorite song,
The Pretenders’ Back on the Chain Gang,
on the stereo I was boarding for my roommate.
As the song would end, I would replace stylus to vinyl and listen
again. After the sixth play, with
behavior bordering on obsessive, I reluctantly switched over to the FM band. In one of the odd serendipities that play in
my life, the tune sang out from the airwaves for a seventh time giving me a
sense of inevitability, solace and finality.
“Music hath charms” but the magical charms are bittersweet. On that long-past summer afternoon the
instant of sheer satisfaction in my favorite phrase (“Those were the happiest
days of my life”) gave my heart each time a warming thrill. But each instant also left it yearning. I could anticipate the moment, I could revel
in it as it occurred, but I could never hold it. Music is forever touched by a reflection of
an emotion.
With the possible exception of sculpture, where you can
physically grasp the object of beauty, most art is enhanced by redolent echoes,
the nostalgia for the sensation which you have encountered. With painting or printmaking, you can stare
and dream as long as you wish, but you can never reach in and immerse in the
beauty. In dance or in theater, or the
spoken word of poetry, the moment strikes you and then passes.
Writing may be the most permanent of arts. The word is always on the page and the page
can always be in your hand. In my
favorite works, there is always a moment where I pause and savor before moving
forward in the story. In some, I will
return to a passage or a chapter even after I have finished the book for the
first or fiftieth time. I will read and
relive the moment, attempting both to hold onto and be held by the stirring
sensation of completeness.
Perhaps after the seventh time, I will have achieved my goal.
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